Friday, 20 September 2013

Hollywoodizing your dinner

Verb

To Hollywoodize.
        (Transitive) To adapt to the norms and ideals of Hollywood; to make glitzy, superficial, thrilling, etc.

Derived terms

Hollywoodization

(http://en.wiktionary.org/wiki/Hollywoodize)

The image of celebrity and entertainment influences western culture.
Hollywood has long been a representative façade of Western culture and entertainment. It is the home of a multi-billion dollar film industry, with the sign that represents a cultural edifice for film buffs and actors alike.

Hollywood’s spread is global, with its effects transferring to many cultural trends. In essence, it further represents the development of a global culture, consuming the individual nature of singular cultures, and subsequently ‘westernizing’ them in a process of ‘integration and denationalization’ (Klein, C 2004, p.361) to appeal to a broader audience.

‘Hollywoodisation’ spreads further than film. It can be attributed to many forms of entertainment, and many forms of interests. The Hollywoodisation of food is in fact more familiar than you expect.

Klein quotes Cowen (2002) in stating ‘cross-cultural exchange, expanded consumer preferences and greater aesthetic diversity’ are all affects of globalisation. The representation of culture we are sometimes presented through food is often ‘Hollywoodized’ in a way, so our western palates can adapt to flavours they are not use to.

Fusion cuisine constitutes the blend of two or more cultures of food (the integration Klein speaks of), and when successfully done can create something original and complimentary. When fusion is done wrong, it can represent little more than an atrocity to the ingredients used.

Chin Chin's Kingfish Sashimi with coconut, lime and chilli.


Fusion cuisine began as a means of creativity, but also to bring new foods from China, Japan and India (to name a few) to a new demographic, still inherently carrying the western touch we are use to.

The Asian-based fusion restaurants of Melbourne such as Chin Chin, Red Spice Road, Coda and Gingerboy continue to show a sense of ‘cultural heterogenisation’ (Klein, C 2004,p.362) by adapting and making them representative of Melbourne and its diversified population.

                                   Tetsuya Wakuda - One of Australia's finest chef's based in Sydney, 'fusion' cooking
            

Chin Chin, located down flinders lane in the heart of the Melbourne CBD, presents a contemporary spin on classic Asia flavours. Dishes such as ‘Kingfish Sashimi with coconut, lime and chilli’ present Thai flavours, Japanese technique, coupled with a modern, ‘glitzy’ western presentation.

Red Spice Road, on Mckillop st., again in the Melbourne CBD, produces desserts such as ‘Lemongrass panna-cotta with watermelon jelly and lychee donuts’ –The ingredients, and flavours inspired by the South East of Asia, the techniques – inherently western and familiar.

The adaptation present in the process of ‘Hollywoodisation’ seeks to provide us with a more extravagant and overzealous interpretation that is familiarised to the attributes of localized cultures. This is evident in the intertwining of film industries in Hollywood, and reflective also through the food we eat in our restaurants, and at home.

Hollywood truly is a global phenomenon, in more ways than expected.

Thanks for reading, till next time…

Reference List


Klein, Christina 2004, ‘Martial arts and globalisation of US and Asian film industries’, Comparative America Studies, vol. 2, no. 3, pp. 360-384.

3 comments:

  1. Hi Michael,

    Really an awakening read of foods being globalised through American, “Hollywoodisation.” Not only many restaurants have their interpretation and appropriation, “simulacra” of different food menu recipes from Asian or other oriental cuisines, there is Hollywoodinsation of food influence. The representation is not only in food restaurants and cafes like you mentioned but in music, film, gaming, etc.. The Hollywoodinisation of food is evident in film cinema, or television. For example, on television we see Chefs and cooks on “Iron Chef America” use their variation taken on Asian foods, from American culture, causing Holllywoodisation phenomenon. Would have liked to see you expand on the Holywoodinsed food through a specific realm of the “entertainment industry” more perhaps.
    Great read!

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  2. Hello Michael,
    The information you provided on the hollywoodisation of food is very interesting. You applied Klein's reading well with the examples you illustrated and I think they work well. Klein(2004)believes that hollywoodisation is a global process where foreign films employ America blockbuster traits. Therefore, in this instance on the topic of food, I believe that hollywoodisation means an American twist on foreign dishes. Klein (2004) conveys that Hollywood movies make most of their money outside of the USA and so focus on “spectacle-driven films such as special-effects-heavy blockbusters”. This could mean in your case, if asianisation occurs through American/Australian dishes and vice versa, with hollywoodisation occuring through asian dishes (like you said the Asian bases fusion restaurants), then more money could be made this way than dishes based on only one culture.
    Great work!

    Thanks ~ Melissa

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  3. Hi Michael,
    You have taken an entirely different outlook on the concept of hollywoodisation which was refreshing to read. You have defined it well in reference to Klein and given some great examples. The local examples of Chin Chin and Red Spice Road allowed for a direct indicator of how hollywoodisation has affected our own food industry. I love how you include the verb definition and derivative of 'to hollywoodise'- it gives readers an understanding of the concept prior to commencing the blog content. Just be careful to be consistent in spelling hollywoodising with a 's' or a 'z'. Great effort!

    ReplyDelete